Timeline

photo: A. Pichura

Dictionary. A film workshop with Anna Pichura

08.07.2019 at 11–17

On Monday, 8 July, the MOCAK Library would like to invite teenagers and adults to the first of a series of three film workshops with artist Anna Pichura.

Dana Arieli //The Polish Phantom// exhibition, photo: R. Sosin

Guided tour of exhibitions in Ukrainian

07.07.2019 at 3 pm

On Sunday 7 July all are welcome to the guided tour in Ukrainian of the new temporary exhibitions.

Ramona Bădescu, //Pomelo rośnie// [Pomelo Begins to Grow], illustrated by Benjamin Chaud, Wydawnictwo Zakamarki, Poznań 2018

Active Reading: Pomelo Begins to Grow

06.07.2019 at 12 noon

On Saturday 6 July at 12 noon, children up to the age of 8 are invited to active reading of the book Pomelo rośnie [Pomelo Begins to Grow] by Ramona Bădescu, illustrated by Benjamin Chaud (Wydawnictwo Zakamarki).

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Summer Cinema at MOCAK: White God

05.07.2019 at 9 pm

From 5 July to 30 August you are invited to evening film screenings related to the exhibition Nature in Art. The shows take place on Fridays in the MOCAK arcades.

Beata Stankiewicz, //Jonasz Stern//, from the series //Ten Jews Who Made Poland Famous//, 2018, oil, water marker / canvas, 100 × 70 cm, MOCAK Collection, photo: R. Sosin

Ten Jews Who Made Poland Famous

28.06.2019 - 22.09.2019

The series of paintings by Beata Stankiewicz entitled Ten Jews Who Made Poland Famous is a deliberate reference to Andy Warhol’s series Ten Portraits of Jews of the 20th Century. Both series present figures whose fame and greatness mattered more than their ethnicity. Both artists suggest – with a certain dose of bitterness – that bias against Jews can only be tempered by their individual genius.

Herta Müller, untitled, 2012, collage, 14,8 cm × 10,5 cm, courtesy of H. Müller

Where One Cannot Speak: Word as Image, Image as Word

28.06.2019 - 22.09.2019

At the exhibition we present dozens of the collages by the Laureate of the Nobel Prize in Literature Herta Müller, which she created during 2005–2018. This is the first-ever presentation of these works in a museum of contemporary art.

Patrycja Polkowska, //Body Language//, 2014, video, 11 min 40 s, courtesy of Lodz Film School

Lodz Film School: The Young Generation

28.06.2019 - 22.09.2019

At the exhibition we will be showing the end-of-year etudes by first-year students of the Film and TV Directing Departmentat the Lodz Film School, produced in the documentary studio led by Grażyna Kędzielawska and Maria Zmarz-Koczanowicz.

Dana Arieli, //Kraków//, from the series //Phantom Project// [2009–], 2015, digital photograph, 50 × 75 cm, courtesy of D. Arieli, http://phantoms.photography

The Polish Phantom

28.06.2019 - 31.08.2019

In MOCAK Library, we present a selection of her photographs from the series The Polish Phantom. The exhibition comprises five parts (Warsaw, Nowa Huta, Krakow, Auschwitz, Kielce). Contemporary photographs document objects, spaces and places related to World War II and Polish People’s Republic.

Leszek Lewandowski, //13 x Cage//, 2008, object, ø 58,7 cm, MOCAK Collection

Motion as the Stuff of Art (MOCAK Collection)

28.06.2019 - 02.02.2020

At the latest exhibition of the MOCAK Collection, we show selected objects and installations, in which motion plays a particular role. In all these works it functions as the device for instilling meaning and bringing coherence to the message. In this manner, motion has almost become an object. In keeping with Einstein’s theory, energy turns into matter.

Faig Ahmed, //Desintegration//, 2016, object, 213 × 147,5 cm, MOCAK Collection

Symbolic Design (MOCAK Collection)

28.06.2019 - 02.02.2020

Artists seek opportunities to practise art everywhere they can. They have found them, amongst others, in the field of architecture and design – disciplines traditionally governed by function. The designer’s creative inspiration follows the principle of utility. Contemporary artists employ the relationship between imagination and function in quite a contrary way. With some exceptions, they completely reject the practical function, instead dwelling on its symbolism. Objects appear deceptively practical, yet simultaneously do not yield themselves to practical use. This results in a conceptual play.

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