Following exhibitions and projects
Boris Lurie (1924–2008) was an American artist, who was born into a Jewish family in Leningrad (today Saint Petersburg). Lurie’s creative output encompassed many fields: he was a visual artist – creating paintings, installation and objects – as well as a writer and poet. His was art that was politically engaged and called for social action, art that was spontaneous, anarchic and therapeutic.
Moby Dick and Karl Marx dominate the creative output of Krzysztof M. Bednarski. The first is represented as a simple, smooth object that inspires thoughtful reflection. The other as a dishevelled head, which provokes discussion. Moby Dick symbolises a mirror that reveals the depravity of human nature. Marx symbolises the regard for human fate, a regard that has inspired political crimes. KMB employs both these objects in terms of both form and ideas.
Markus Muntean and Adi Rosenblum have been an artistic duo since 1992. They are known primarily as authors of monumental compositions – group scenes accompanied by quotations from literature. The protagonists of their paintings are young people whose figures have been repainted from photographic materials from the artists’ archives, magazines and the internet.
For Akira Inumaru, nature is an inspiration and material. The artist uses flowers and dyes obtained from plants, and subjects them to the impact of the sun.
The subject of the Mac Adams’ fascination and source of inspiration are situations which are both ambiguous and disturbing. He creates installations and photographs in which he manipulates the perception of viewers in such a way that they have the impression of watching a crime scene.
At the exhibition we show photographs, videos and objects by students and graduates of the Skąpski Studio of Photography and Artistic Strategies at the Academy of Art in Szczecin.